Laurine
WAGNER
artist
Vibration of a material and immaterial trace
Vibratieau, 2017
Installation, basin, wood, EPDM, 67 x 57 x 6 cm
HD video projection, 7’06’’, loop, composition from sound recordings of gongs, played by three different sources
Linking time and transformation, the questioning of the infrathin associated with Marcel Duchamp enables us to approach the phenomenology of things unnoticed and the de-substantialization of the work. Through a tenuous and immersive experience of what escapes us, in between artificial and natural, an unveiling of the waves and imperceptible vibrations that the universe releases, operates. The in-between, materiality and immateriality, body and soul, touches the threshold of thought, of the issue of meditation, through games between the visible and the invisible, presence and absence, consciousness and unconsciousness. A bridge between the physical and sensitive worlds is thus cast to go beyond the limits imposed. The vibrations felt are sources of transformation and question the subjectivity and the neutral to speak of knowledge and mindfulness.